Nice pictures from the Brockdorff Klang Labor the great band from Leipzig (Germany) concerts by a quite related blog http://www.gig-blog.net/1003-brockdorff-klanglabor-fotos/ . This band remains one of the most talented in Germany into this genre (electro pop) in my opinion. You can read the special edition made by drofnothing for this blog last September as well.
quarion – process part 189 (dubstep special)
This is exactly what I wanted to listen today
. You can download for free this set today from our blog. Well useless to write a review for this set .. rather better to listen by your own. enjoy
si blog special edition : Chase and Status
We re constantly writing articles this month regarding the contemporary coolest music producers accordingly our music interests at this blog. Stuff such as Chase and Status should be definitely noticed . Saul Milton and Will Kennard , the exceptional duo from London (Chase and Status) a rather famous drum n bass ,dubstep – not necessarily an other commodity for the wasted youth offers inspiration to those who want to get closer to the contemporary drum n bass and beyond. The have had many good tracks released mostly at Mercury records and couple of them reached already the charts in the UK , Australia etc.
They have had previous success with their 12″ releases Iron Fist/Zulu King, Love’s Theme/Wise Up (Remix), Dumpling Riddim/Disco and their 2006 release The Druids EP, of which the ‘C’ track ‘Come Back’ had extensive Radio 1 airplay. The track featured vocals from the rapper Top Cat. A track entitled ‘Brazil’ has been released on Ram Records as part of the Dimensions EP Part 3.
Chase and status deserves your interest… We are looking forward to write a record review of their work as soon as possible..Look below for their releases and tracks according Wikipedia
| Year | Single | Peak chart positions | Album | |
|---|---|---|---|---|
| UK Singles Chart | UK Dance Chart | |||
| 2003 | “Like This” / “Blindside” | – | Non-album singles | |
| “Wise Up” / “Tricky” | – | |||
| 2004 | “Blowtorch” / “Hoax” | – | ||
| “Call To Prayer” / “Stand Off” | – | |||
| “Ghost Town” | – | |||
| 2005 | “Duppy Man” (feat Capleton) / “Top Shotta” (feat Riko, Trim & Scratchy) | – | ||
| “Hoodrat” / “Buddha Fist” | – | |||
| “Iron Fist” / “Zulu King” | – | |||
| “Love’s Theme” / “Wise Up” (Remix) | – | |||
| 2007 | “Dumpling Riddim” / “Disco” | – | ||
| “Hurt You” / “Sell Me Your Soul” | – | 1 | More Than Alot | |
| 2008 | “Take Me Away” / “Judgement (Informer)” | – | 1 | |
| “Pieces” (feat Plan B) / “Eastern Jam” | 70 | 1 | ||
| 2009 | “Against All Odds” (feat Kano) | 45 | ||
| “End Credits” (feat Plan B) | 9 | 2 | TBA | |
video of the week: paranoland
short movie about paranoia, a girl forgets her glasses inside the airplane…
atari teenage riot reunion
ATR has reunited and announced new records and an international tour. good luck
until the new single comes up (you can listen activate on their website already), listen to this dubstep remix by the Builder:
and pssst… they will play in berlin (it’s not yet on their website, but confirmed)
review of “fresh things first” party in athens last weekend
so what do i remember from last saturdays dubstep/hiphop/d’n'b party in athens….
let me tell you why I think this party went totally bad, despite the fact that it seemed to have a pretty powerfull atmosphere at some points. first the djs gave us hiphop. more focused on showing off than doing a proper mixing (the sound was amazingly bad), this part of the party luckily ended soon after we arrived. then someone played surprisingly interesting dubstep. for like… three tracks. and then he switched to some wobble stuff, which heated up the crowd to encourage them to start pogo dancing as soon as the first breakbeats came up. well believe me, i am not at all against mosh dancing at electronic beat parties, but if the place is small like this, 4 hools kicking around people can spoil the fun for everybody. and they did indeed, most of the not so strong people left at this point and the upperclass hools and some punx turned the place in a hc concert. congratulations… well a dj who sees this happening should react accordingly in my opinion, and play some more deep stuff to get the audience back together. instead the mentioned above posers jumped around on stage, played more fast break stuff and took pictures of the mosh pit.
so imagine a place where you get constantly kicked nevertheless you stand totally aside, have an incredible bad sound (the PA was not right for the kinds of sounds that were played, it couldn’t transport the grooves, instead it was really loud in the mid’s, so our ears were hurting until 2 days later), and some posing DJ’s on stage who celebrate this situation even more. some time around 5-6 i finally had some space to dance and some nicer dubstep was played, obviously too nice for this party, or was it because the space started to get empty (?) well it closed down 20 minutes later…. this last set starting showed that the dj’s would be capable of playing some exiting stuff, exiting not in the sense of fast and spectacular like the dead and cliche stuff that we witnessed but exiting music that really gets people into the mood of celebrating and dancing.

painting by dan witz
the weapon of criticism cannot in any case replace the criticism of weapons (karl marx)
so here is dr0fn0thing’s guide how to crash a mosh pit. it is a pretty nasty advisory, but might come handy when faced with pogo hools taking over a whole space instead of staying in a compact mosh pit.
1. a mosh pit is established when some hools in the crowd start pushing each other, in a ping-pong effect they create a little area of constand movement and pushing.
2. according to the 80′s (or was it 90′s?) pogo theory of karl nagel (one of the formerly central figures of the german anarchist pogo party) now a common structure gets established: center area for people who feel like pushing and get pushed, a ring around them of volunteers that only push as to keep the central crowd compact, an outer ring (the rest of the people) who engage in other activity.
3. you cannot crush a pogo/mosh pit from the outside, since the outer ring is only in the position to push towards a compact mosh mass, so pushing from there won’t change anything.
4. well it’s a dirty job, but indeed you have to go to the inside. you have to act counterproductive to the pogo force. remember: they jump and walk and push each other with the shoulders and hands. so what you have to do is to stand still (stand with a streched legs a bit opened, which will give you stability and raise the chance that people stumble and in a chain reaction the whole pit will fall) and raise your elbows, the only party of your body that the others don’t want to meet because it hurts.
5. that should end the pogo enthusiasm after some moments.
violent dancing is nice if people can decide if they want to get involved, if you just do it to hurt others either everybody will leave or someone will take measures against you.
here there is always struggle. it’s the eternal war. (ingeborg bachmann)
dj beatter – interview
This is an interview with a dj beatter , a talented new dj from Greece as well as a good friend , follower of this blog since the beginning. You can listen the live dj set of dj beatter on freakuency radio every Sunday at 18.00 in London , 19.00 in Berlin and Budapest and 20.00 for Athens and Sofia.
interview taken for shituationist blog March 2010 by Fancypunk
Q1). we can start this interview by introducing your personal background , when have you started playing at parties as well as making music?
A1). My first involvement with music started when I was still very young. To be at this level today means that I had many influences all of these years from several other genres. Before I start playing house-tech-minimal , I was playing different kind of music. For instance I ve started my dj playing with reggae , ska , dub , trip hop. My involvement with dance music was rather a job of dj soubri who encouraged me to start listening house and techno. Now after 7 years I do my own production and I hope soon to find my way there.
Q2). Perhaps can you tell us a bit how you decide to use the name dj beatter
A2.) The name dj Beatter came up to my mind long time ago and I decide to use it because it sounds good
. It contains two words : my real name: “Peter” and the word beat.
Q3). What makes a dj/producer unique ?
A3).This is a rather good question my friend (Fancypunk). I do believe that a dj/producer is unique when He is producing his own music and presenting it live to the people. who can deny that ?
Q4). Besides the Freakuency radio where someone can listen your dj sets live ?? are you doing/organizing parties in any clubs of your area?
A4). You can also listen my sets at an other radio station named myvita.gr. Ofcourse Im playing often live in parties , you can easily get information via my group on facebook and my myspace page.
Q5). ..and what about other places? where have you played in the past besides Crete Island?
A5). I have played many times in Athens and in the city of Larisa (central greece)
Q6). Do you have a soundcloud account ? or where someone can download your dj set?
A6). I do not have a soundcloud account yet but If someone wants to download my sets I have uploaded them on rapidshare , anyone can find the links at my group on facebook also at my myspace page as I said before.
Q7). Perhaps you can tell us few words about other collaborations you had
A7). I did collaborate with many greek djs such as Christian Campas , George Apergis. It was my honor as well to take part at Akti music Festival in Crete , beeing in the same stage with John Acquaviva Satoshi Tomiie, Terry Francis, and Mikele.
Q8).do you have your own studio? what kind of equipment do you use?
A8). Yes I have somehow my own studio at home. Indeed it needs many of equiment still but I can work properly at the moment. What I have is a soundcard “native instruments audio control 1” , two good sound boxes monitor of “Trevi” , my laptop and certainly my sound mixer which is an “Allen & heath xone 92 , one microphone and here we go …..
Q9). House , techno and generally dance music scene is incredibly big in North European metropolis , such as Berlin , London etc.. how you feel your connection to this? can you tell us a bit more things concerning the party scene in Crete?
A9). To be honest , what I find really attractive in these countries is the big support of the people to the electronic dance music and the good infrastructure/organization of the events. If you re asking me how I feel my connection to this , I can easily say that it would be great to get there one day. Now concerning the party scene in Crete is more or less “silent”.Here is not such a good organization/infrastructure of clubs for a proper promotion of the music. From the side of the local djs , they do their best and as a result you can easily see that the ammount of people who are joining the events is increasing slowly.
Q10) What are your future plans ?
A10). My future plans are rather to manage taking my degree at the university and afterwards to focus on music and specifically in my own production of tracks and ofcourse releasing them on a label
Q11). What other djs and artists inspire you ? any shootouts and recommendations ?
A11). There are many good artists who inspired me from time to time. I will just refer some of them. Stefan bodzin, Oliver huntemann, Paul kalkbrenner, Booka Shade, Deadmau5 and definitely Dubfire
Sub.mission dubstep in Denver 17th of April
I found by searching on the web a rather interesting dubstep event in the US. You remember probably a post about Dopelabs some days ago at this blog.
my 20 track selection Spring 2010 (March) (no order)
this is an other track selection by me .. tracks often played at breakz essentialz radio show on freakuency .. 
dubstep
01. Culprate – Dont do that
02. Suspect & Switchdubs – Rotary
03. the widdler – Go ask alice
04. Bar 9 – shaolin
05. joint forces – here comes the morning
06. Mt Eden – siera leone (dubstep)
07. Eleven 8 – this is a risk
08. AC slater – hello
09. Bar 9 – midnight
10. tekstepa – welcome to babylon
drum n bass
01. Future engineers – Down time
02. PBK feat salamandra – stepping tones
03. Sabre - Glimpse the prospect
04. Camo and Krooked – tonight
05. Paul Saint Jack – timeless
06. flux – bad sunrise
07. Gena G – in love
08. apex – space between
09. Camo and Krooked – you cry
10. State of mind – sun king (chris su remix)
TimeJump by ego(RU) on freakuency radio every Saturday
As we announced last week , the first gabber , hardcore , frenchcore , schranz radio broadcast is a fact for freakuency radio. Actually I didnt even know that this scene was so huge in eastern countries such as Russia , Belarus and so on. Many parties and events are taking place there every week. This russian speaking programm will be also informative regarding the events in many places of the eastern Europe.





