today we have this download recommendation for you: a freeware sampler (only runs on mac though) Sound doodle, download it here
introduction video:
(via de:bug)
progressive party palaver
today we have this download recommendation for you: a freeware sampler (only runs on mac though) Sound doodle, download it here
introduction video:
(via de:bug)
Paris:
La jeune création et les cultures indépendantes berlinoises s’invitent à la Gaîté lyrique. Avec les artistes : Barbara Panther, Jahcoozi, Pantha du Prince, Evol, Visomat inc. + Telematique, Moritz von Oswald, DJ Ipek, Ricardo Villalobos, Vladimir Kaminer, Pfadfinderei, Last Last, Apparat… mais également le magazine Groove, le club WMF et le label Ostgut Ton, le Chaos Computer Club et les radios Reboot.fm, Radio Campus Paris et Radio Grenouille.
Berlin:
a small Sven Marquardt photo exhibion still up until the 21st of April:
Galerie Pixel Grain
Rosenstraße 16 – 17 (near Alexanderplatz)
Mo – Fr 9 – 21 Uhr
Sun 14 – 20 Uhr
This Friday, April 1st, reading from Anton Waldt (in german), music by nerdcore.de, at Berghain Kantine
Belfast:
April 3rd: Contemporary Art and the Moving Image
London:
April 1st: at Corsica Studios
Leisure System with: Chris Clark,Jimmy Edgar,Machinedrum,Koreless,YOUNG Montana? & N>E>D
April 2nd: at Corsica Studios
Stroboscopic Artefacts Showcase with: Lucy,Xhin,Truss & Dadub
One of the best events at shelter club so far .. Highly reccomended by shituationist institute.
Q1 Could you tell us something about yourself and your artistic background?
Yeah, My name’s Gareth…originally I’m from a small town in Leicestershire… been making a noise since I was about 11… I’m 27 now.
Was well into music from pretty early on because of my two older brothers. Both in bands and they listened to some pretty way out shit I guess.
It was cool to be exposed to stuff like Drexciya and Aphex from a young age…
I started drum tuition when I was 11 because my best mate did… though I was never really content with the normal drum sounds, so did stuff like mic up my mum’s biscuit tins and got a Yamaha drum machine for more weird noises and bass drum sounds. I then started recording stuff down to cassette tape. I used to make tracks out of all sorts, from my mates older sisters rave tapes to mega drive menu sounds. I never used to tell anyone though, just thought people would think I was weird. Especially as all my first shit sounded like horror film music. The direct result of watching too much Stephen King.
It all escalated from there really, it was post rave time around 94′ and a lot of Techno was coming out. I used to listen to that stuff Beltram, Thomas Heckman and AC/DC lol who I love, my first love musically… or just whatever music that was coming out of my brothers room… usually ‘The Cramps’ lol. I’ve been building up my studio since then, strippin it away again etc… I still like to get on the drum kit when I can too!
More notably, I spent some time as assistant sound engineer with the ‘Lo Fidelity Allstars’ in their Brighton studios… I probably gained the most knowledge about making music properly during this time. Now I’m based in trendy East London, haha
Q2 Do you work on your own? What collaborations do you participate in (label, musical partners, etc)?
‘robot for brains’ is me on my own… it’s a name I have stuck with for a while now. When I started out however…I was never really happy with my tunes. Hence me only ever really showing mates, which looking back is perhaps a little dumb of me, as it turns out people quite like a lot of my old shit I’ve got of a lot unheard stuff, some of which will be released now, others I will be posting as and when I feel to my Soundcloud/Facebook page. I’ve only just put it up, you can check it out…
http://www.facebook.com/pages/Robotforbrains/201058283253618
I’m also part of a collective of DJ’s and producers called the ‘FM Press‘. We have started putting on nights in East London, the last one was with Mark Rae, it was great! Here I DJ as ‘Fantastic Damage‘ along side Dave Chambers, the founding member of the ‘FM Press‘. We also produced tracks together, though this stuff is really about a party vibe and having fun… you can hit us up on Soundcloud or Mixcloud… we just did a bootleg of Ramadanman & James Blake which we really like…
I’m also making some other techno stuff with Dave, It’s the first time in 10 years that I’ve made Techno and we’re both really excited about it. It’s sounding awesome and a lot of fun, but it’s hush hush for now…
Q3 Something you want to share about London music scene, some insights or recommendations?
I’m still getting my head around the London music scene… enough said !
Though I can highly recommend a night called PLEX @ Corsica Studios. I went to the first one back in 2006, the guys there are really dedicated. I now help them out a little, I did the lighting at the last one… which was wicked! So if you’re into electronic music you should get down to Corsica. Oh and not forgetting the ‘FM Press parties’ @ Star of Bethnal Green, a venue which punches well above it’s weight in my opinion… check em’ out !!!
I can also recommend a really nice French restaurant in Angel called Le Mercury… ha ha
Q4 What equipment do you use / what is your favorite piece of equipment?
Hardware & software… I love the Nord Lead 2, for anyone getting into Techno etc just get one… it will not only help you learn hands on synthesis but also provide you with perhaps the only synth you will ever REALLY need ! in my opinion…
I also like the ‘Audio Realism’ Bassline… because it replicates a hardware TB-303.. great for acid on the go!…. oh and Massey do some great free plug-ins… get them all ! This gear is all over ‘The Hard Way‘ EP.
My fave bit of hardware though is the Rokk stereo mixing console… I’m convinced I’m the only one who still actually has one haha!.. I found this weird 8 channel mixing desk in a second hand shop, they let me have it for like a tenner because only the left channel worked…. I fixed it, and it’s now great… love running shit through, that’s probably my favourite, because it looks really nice and was just a tenner
Q5 What is your work process?
With the ‘robot for brains’ stuff, the musical idea or vision is usually inset in my brain first… I see it, and it will over take all my thoughts for a few days until I get the idea down… it’s distracting from real life in a way, consuming. I’m into raw production values I guess, I think ‘robot for brains‘ is a rough sound. In the past I’ve always had my reservations about using pre processed samples, drums & loops etc… So would spend ages recording shit down and then messing with eq’s & compressors till they sounded spicy enough. Having felt like I have gone through a bit of a right of passage with that now, these days I’m not so bothered, and it’s just about doing it, time and shit…
Most of the sounds get put into Ableton first and arranged, maybe a bit of re-amping here and there, a lot of the synth parts on ‘The Hard Way‘ are re-amped or processed with some hardware in someway…then mixed in Protools after. A lot people moan about Protools, but I happen to really like it for mixing tracks.
Q6 What was the last record that you bought?
The piece of Vinyl…Mad Professor dub me crazy pt.3…. last download… ‘Andy Stott – Tell me anything’
Q7 Which artists have influenced you the most over the years?
I hate this question… let’s just say…Luke Vibert and Liam Howlett & leave it at that lol
Q8 Who would be your dream artist to work with?
Probably the GZA ha… ‘I’ve got this little fantasy… I’d quite like to make an Acid Hiphop album one day…GZA on the mic obviously !
Q9What are your next gigs and where can we preview your works online?
I’m Dj’ing as ‘robot for brains’ in Leeds, London And Glasgow over the next coming months, which is pretty bonkers for me…also the next FM Press party is 28th May @ Star of Bethnal Green.
you can check out these links below…
as ‘robot for brains’
http://www.swishco.co.uk/release.php?id=113
http://soundcloud.com/robotforbrains
http://www.mixcloud.com/robotforbrains/
http://www.facebook.com/pages/Robotforbrains/201058283253618
http://twitter.com/robotforbrains
as ‘Fantastic Damage’
http://soundcloud.com/fantastic-damage
http://www.mixcloud.com/FantasticDamage/
Q9 Any plans for the future you want to announce here?
If the world makes it past 2012… all I can say is watch out for some jokers that go by the name of CRACK!
Thank you Gareth and all the best!
(..interview by MNanotek)
Horizontal ground 005 increasingly became one of my sweetest addictions. Great Atmospheric bouncy house/techno tunes giving a taste like a night at Panorama bar. Horizontal ground is a label based in London, which deserves your consideration for sure. The fifth release includes two excellent tracks by unknown artist(s). Both sides of this release without many comments are awesome , offering a moody dance music vibe and a rare atmosphere. It is definitely a rare release though , from those you cant really find everyday . I love it , this limited edition rocks .. highly recommended by us today. You can have a preview of the tracks here
you can buy it online here
This saturday we are presenting you a mix by one of our favourite Drum and Bass Djs from Berlin. Keep your eyes peeled for the first event by Shituationists on Cyprus in Nicosia, where he is going to play among Fancypunk and Phatt Finxxx .
This review took a while to get online and that’s because it took me a while to absorb what took place at the Bloc weekend. With an incredible line up that featured the ‘crème de la crème’ of electronic music Bloc festival celebrated its fifth year of existence gathering thousands of audiophiles from all over Europe. There were five stages hosting music ranging from techno to electronica via breakcore and dubstep. The RFID (Recursive Function Immersive Dome) definitely caught my attention with its cerebral visual projections, and that’s before we even get to the amazing line up that included Luke Vibert, Ed DMX, Ceephax Acid Crew, and my surprise highlight Global Goon whose mix of Acid Techno and atmospheric basslines sent the crowd wild.
Some of my favorite acts were on on Friday which unfortunately I missed. Ben Klock was on & apparently even though he was supersick(as in having a flu kind of sick)he managed to put together a supersick set too! Amongst others who played were LFO,Ancient Methods,Silent Servant,Modeselektor,Apparat & Shackleton. Moving on to Saturday around 2:00am I decided to go check Aphex Twin like 90% of the people attending the festival. I came across an endless queue that made it impossible for me to enter, but again being at a festival as massive as Bloc I could only keep partying so I made my way towards RED:BLOC stage were Jimmy Edgar was giving an electro disco funk performance which was awesome! Venetian Snares followed around 3:00 am with intense stuff! After that decided to go back to my temporary home to chill..Even though I’m not a TV person I totally enjoyed Bloc TV’s cult oddities such as ‘Executive Koala’, ‘My impossible kid’ ,interviews & footage from the festival’s previews years. The time was 6:00 am & that meant only one thing..Legowelt! His Electro/Techno set was truly amazing & I just hope he could play in the Uk more often!
Overall I was left with the best impressions & I’d surely go back next year where Bloc’s taking place again at Butlins Minehead on 16-18 of March 2012.
…Maybe I didn’t get to see Aphex Twin’s live this time, but I’ll never forget bumping into a guy in the middle of the night while looking for a cheese knife….that guy was Aphex Twin himself!!
Because we had allready seen Blake Baxter twice at Suicide Circus and always enjoyed his sets and the Club very much as you could read in the earlier reviews, we decided to go to see the Prince of Techno again this Friday. This time together with the Prince of Hip House – Tyree Cooper and the Killekill-Resident Dj-Flush, who is known for his hard oldschool techno sets.
After an nice housy warm-up set by Jochen Otto , Tyree Cooper started playing at about 2.00. Starting with some old Jackhouse-Classics, he was moving on from House to Disco and Techno- Classics, but somehow without any concept in his mix and with hard problems in syncing his timecode-records, which was one the reasons why we didnt enjoy his set very much. An other reasons was, that he was constantly putting down the music for shouting out, that he is the House-legend Tyree Cooper, which as i suppose everybody knew allready. But he got my sympathy by non-stop rolling and smoking big Joints, which may could be a reason for playing such an confused set
At 4.00 it was time for Blake Baxter to start. As always he was playing an awesome set on 4 decks, combining rare acid-house classis with some progressive and jacking stuff, creating an sweat-coursing, energetic atmosphere. The only thing I personally didnt like was, that he dropped an strange swing-techno track in the middle of his set, which really didnt fit and was unsettling the audience a little bit. After Blake Baxter Dj Flush started to play at about 6.30, but for my taste he was a little bit to hard, so we decided that its time to go home, after listening to his set for about 2hours..
All in all, I have to admit, that I allready experienced better partys at the Suicide Circus and especially Tyree Cooper was disappointing me, because I would have expected him to be way better, but maybe it just wasnt his day or he wasnt in the best mood.
a new set by Tony Slicer (Thessaloniki) for the shituationist institute special mix edition. You can download it for free here
1)Chris Lake -Cross The Line Wehbba Remix
2)Alex Kenji – 54 Is Not Dead (Original Mix)
3)Rah Band -Clouds Across The Moon (Jay Lumen Umek )
4)Martin Eyerer Feat. Kosheen – Your Move (Namito Remix)
5)Dennis Hurwitz, Romano Alfieri – It’s Been Done – Original Mix
6)Steve Bug Feat. Paris The Black Fu – Swallowed Too Much Bass (Joris Voorn Remix)
7)Nicole Moudaber – The Reason Why