
This is a new edition of friend – music therapy blog recorded a new tech house mix. He asked me to spread it around , therefore we publish it today here instead of a mixcloud 5 tracks edition.
progressive party palaver

This is a new edition of friend – music therapy blog recorded a new tech house mix. He asked me to spread it around , therefore we publish it today here instead of a mixcloud 5 tracks edition.
Since Noone else uploaded or recommended any free download this week , Im posting a link in my opinion with one of the best kinda post dubstep podcasts online via http://www.xlr8r.com . (check also the description bellow)
The playlist is very awesome with many artists listed as our favorites such as Rustie and others. Take a look at xlr8r.com which is definitely one of the best blogs , recommended recently by a friend. Xlr8r focuses in current waves of dance music. It’s series of podcasts is the most fresh sounding of all podcasts i have came across, and definitely one of the most pleasant ways of keeping up to date with anything happening now in the fast evolving world of electronic music.
For the final installment of our Labels We Love podcast series, we head to Glasgow, Scotland. The city has a reputation for gloomy weather, but you’d never know it from the crunked-up glitch rave turned out by the Wireblock Records gang. The label, which we recently profiled in greater detail, is home to artists like Rustie and Hudson Mohawke and is headed up by brothers Neil (a.k.a. Nelson) and Calum (a.k.a.Spencer) Morton, along with Dress2Sweat’s Jack Revill. Here, the Morton brothers have teamed up to put together a genre-hopping, bass-heavy mix that’s simply bursting with tunes, including plenty of unreleased goodies. Keen-eyed trainspotters might also notice that a few of the new tracks are credited to Numbers, the long-running club night spearheaded by the Wireblock gang in conjunction with a number of Glasgow’s finest party starters.
from the el-blog:
this text is meant as an experiment in opening up a concept. we take a term with all its history, put it in the context of todays global society, find it’s ideological meaning and through that it’s limitations in comparison to freedom.
a text about feeling comfortable in small circles, and what this means for todays status of the world…
some quotes:
it’s not only feeling comfortable, but feeling comfortable in conditions. in that sense it’s less than feeling comfortable as such, it’s having a concrete postive feeling of the surroundings, the feeling that the surroundings are, almost actively, comfortable towards one.
these conditions being “social comfort”:
the competition of isolated individuals means some feel free in their identity and others get lost in the process. to dissolve the identities into post-individual collectivity is not the only negation of these competitive processes. there also remains a space between, not collaborating and not competing, to denounce the idea of productivity and to claim an agile association with itself as the only aim. to have a collaborative existence not for having a profit, but for having existences and collaborations outside the idea of profit. also this image brings up the idea of deviance, to act outside the norm can claim comfort, even if the act itself seemed to aim at finding adventure. people who are bored seek entertainment, and will find lots of it without deviant behavior in mass culture. but people who feel uncomfortable with this mass culture will find their comfort in deviant communities, something that seems adventurous. so the initial decision was not so much to seek adventure, but more one of seeking social comfort.
it’s a trap:
a politics which defends something just because it feels good is itself guilty of not speaking of the surroundings of the comfortable community. the process that was mentioned before, that individuals succeed in competition and liberate themselves on the costs of others, can be transported also to the actions of collectives. the degree of them feeling good marks in the same time how much they won in the competition. it’s a luxury to feel good in a competitive society, and it feels even better in companionship. and since it is not possible under present social conditions to feel good with the global human society, we found a limit of the concept.
while one part of humanity gets presented with a competitive concept of individuality and cooperation, the others are denied even these (e.g. workers still under slave-like conditions without workers rights). this injustice of course has to be dissolved in one direction: claim the luxury of comfortable togetherness for all. this legitimates working with these concepts, it makes the most sense to talk about freedom when it is denied.
while there are positive connotations:
sharing a space and feeling a status between alone and together, to help each other without aiming at reward or even any action in trade, to feel close without having the feeling to loose oneself (in the sense of opening up completely) or without asking for others to open up completely (which is in any ways a strange and illusionist idea), to deny the idea of absolute understanding, and to reclaim the idea of communication from those that think that free communication is possible under the doctrine of market competition.
don’t get fooled into idealization:
the feeling is linked to the presence of one, two or more others, but not to an immediacy with each other human, with whole humanity. this limitation can be transformed into an ambivalence: feeling together, but not unified. to feel the concrete connection with the abstraction as something comfortable is what shall be grasped with this text. these precarious moments of feeling alone in presence, or connected in moving ambivalence, free association instead of collectivizing unification. [...] presence of something diffuse, that becomes concrete in the liberation of identity. not to see oneself as strictly bordered from others anymore, but also not loosing oneself into the abstraction. it’s not yet the conciliation of these two poles, but a metaphor for it. in finding a poetic metaphor, we also accredit the limitations of this mode of freedom. and through that we make the deficit of any positive reference to the idea of freedom tangible. [...] in doing this we also get to grasp the hope for other conditions, that would allow other more far-reaching conciliations of the whole and the particular. what we found now is not a norm to judge the quality of social events, but to find the limits of one image of sociality. what constitutes these limits?
because of the critique of ideology:
the ratio of social experiences is marked by the rationality by which the members of society cooperate and cultivate, how they communicate its culture. which means under present conditions of the primacy of profit that society organizes itself in markets. other doctrines were mentioned in this text before (like the one of reproduction, sexuality), we want to sum them up as ideologies and identities all leading astray of the primacy of humanity. ideologies like productivity or industrial progress, or more specific ideas like the invisible hand of the market. they replace and overlay the primacy of the well-being of all humans, the test which all these ideologies and identities have to pass. [...] this is presented to give momentum to this way of thinking, and not to present a normative description of potential retreats of freedom.
the way this is done in the text is by reflecting on one specific word and some images:
the conditions of the whole don‘t disappear when focusing on a partiality. this also means that we cannot envision a concept of freedom that is not touched by the totality of society and its rationalities. by focusing a word that is an image, a concept, we do so to show what the limitations of that concept are. when we search for the limitations of a concept, we recall the history of the concept and find the boundary of history itself, which means finding history. or in other words: when we find the limitation of freedom, we find the historical development of freedom.
now go and read it: Gemütlichkeit – el.blogsport.de (an english text about a german word)
As we did the last year , we feature 10 of our favorite blogs for the years 2010 , what we where reading in a daily basis . Any more recommendations (if you consider that a cool blog is missing) are welcome just write a comment bellow this post
1. mnmlssg blog. (english) It is probably one of the best blogs of electronic music in the world. Keep up the good work people
2. no camera a blog by ion from Athens(english – greek). A personal blog by Ion , a great experimental artist from Athens. Besides the essentially interesting music you can find on the blog ,there is a nice artistist concept , brilliant photos and great impressions
3. history is made at night a blog from London (english). For a second year we were constantly reading the blog history made at night. The radical theory concept of this blog in combination with nice music reviews as the about session of this blog says “the politics of dancing and musicing”
4. the futurist.se (english) a blog dedicated to electronic music.
5. just.blogsport.de (german) a blog about street art from berlin
6. http://pgzmedia.wordpress.com/ (english) a world’s electronic music blog with nice articles.
7. http://globalraver.blogspot.com/ (english) a blog for electronic music and global nomads by A.D Andrea. Unfortunately He is not updating the blog that ofter
8. http://acidhousehistory.blogspot.com/(english) a blog concerning the acid house history
9. http://www.classless.org/ (german) a blog who runs by the berliner electro artist classless Kulla. If you can read german at this blog you can find many interesting articles concerning contemporary critical theory as well as music features
10. http://electrorash.com/ (english) a blog about electronic music I was reading this year too (fancypunk)
This is a collection of mixes by a blog I follow for sometime now from Bristol UK. http://bassmusicblog.com/
You can listen , download and so on.
Nice pictures from the Brockdorff Klang Labor the great band from Leipzig (Germany) concerts by a quite related blog http://www.gig-blog.net/1003-brockdorff-klanglabor-fotos/ . This band remains one of the most talented in Germany into this genre (electro pop) in my opinion. You can read the special edition made by drofnothing for this blog last September as well.
standing on the shoulders of RSS-feeds. i want to present some more blogs that we gather input from…
http://mnmlssg.blogspot.com/ (linked to resident advisor)
http://stewarthomesociety.org/blog/
http://www.littlewhiteearbuds.com/
http://voidnetwork.blogspot.com/ (from greece)
http://www.monday-edition.de/ (in german)
http://www.sonett77.de/ (also in german)
http://billysuede.wordpress.com/
Hello today a new edition of best 2009 concerning blogasphere and what we have remarked as our favorites blogs is here
. Especially me and drofnothing , we have a look on them almost everyday or when ever these blogs have something new.
1. http://history-is-made-at-night.blogspot.com/ a blog by transpotine (datacide contributor) from London.
2. http://globalraver.blogspot.com/ Global raver is a good blog by Techno Tony , author of the book Global Nomads. It examines how bohemian expatriates are the main force behind global rave and club scenes . The blog owner most probably lives in the States.
3. http://brummkreiselpilotin.blogsport.de/ a cultural – political blog from Germany , most of the articles in German.
4. http://immomentvorbei.blogsport.de/ an other blog with political , techno and antinationalistic concept from Germany .Also available in German
5. http://mancmusicprod.wordpress.com/ a personal blog by Albert Abbott from the city of Manchester
6. http://el.blogsport.de/ a cultural /political blog from Berlin available in German and english
7. http://datacide.c8.com/ the blog of Datacide magazine.
8. http://autonomousland.blogsport.de a personal blog against capitalism , with news and articles available in Greek and English
9. http://indymediacall.blogspot.com/ a blog with activist news from Budapest
A rather interesting double post(a bit older) on http://thelightofthenightblogspot.com about Savvas Isatis new releases at Tresor . Savvas Isatis a greek techno-electro etc.. specialized producer essentially impressed me. These albums are just fabulous. have a look….
A double post of Savvas Ysatis‘ albums on Tresor, representing the not-local greek not-really-a-scene.
I knew him as a New York City sound artist, relatively famous for his abstract sound constructions released through imprints like Instinct (*,*) and 12k as Omicron, as well as for his collaborations with Taylor Dupree as Futique and Seti. So, I was rather surprised (as well as a lot of people were I guess) when he released ‘Highrise’, a late ’90s tech house album based on deep stabs, subtly filtered Chicago-inspiration and driving minimalistic beats, full of groove and sentiment. Detroit- inspired tech house from a greek guy in NYC releasing through Berlin; I liked the sound of it. Most importantly though, the album was good, especially for home listening.
I don’t know if it was really well received; two years later though a second album appeared, made on the same blueprint. Although he also released his more abstract stuff, he carried on with the idea in Greece, forming a duo with a indie-gone-commercial ‘vocalist’; the project was named ‘Allou’, meaning ‘elsewhere’. They had a release where he keeped on doing more or less the same things, the voice ruins everything though (my personal opinion, as always). After that he released a 12” in Klik’s sub Nuevo. He’s still in Greece, I think.
Savvas Ysatis – 1999 Highrise
Info here.
Savvas Ysatis – 2001 Select
Info here.So, what’s up with the (not really common) name Savvas? I’ll remind you of Savas Pascalidis of Kurbel, Lasergun and Gigolo; or Savvas Georgiadis aka Novatek, DJ Savage or Neuro D (*).
Who, along with Fluxion (*), might be all that you’ll remember of the Greek scene in a couple of years, if we don’t get our act together.